Blog de r3alone - ★ H i p H o p D r e a m s ®

.★ R3ALONEFree Design Network

Les grands danseurs ne sont pas grands à cause de leur technique ;
ils sont grands à cause de leur passion.
Lorsqu'on veut accomplir des choses exceptionnelles, ça passe forcément par le risque,
donc par le jeu.
Idéalement nous sommes ce que nous pensons.
Dans la réalité,
nous sommes
ce que nous accomplissons.

"Un danseur danse parce que son sang danse dans ses veines."

A vaincre sans péril on triomphe sans gloire.
L'important est de tirer une leçon de chaque échec.
Pour gagner, il faut risquer de perdre.

Face à une situation délicate, ce qui compte n'est pas ce qui va se passer,
mais ce que tu vas faire.

Il y a des sentiments qu'on ne peut exprimer avec des mots. moi je les exprimes par la danse.

La danse est le plus sublime,
le plus émouvant,
le plus beau de tous les arts,
parce qu'elle n'est pas une simple traduction ou abstraction de la vie ;

C'est la vie elle-même.

Chance, Patience, Persévérance, Envie et le plus important de la Passion ...

___________________
A B-BOY ; A B-GIRL

A B-boy or B-girl is a person devoted to hip hop culture, more specifically, bboying/break-dancing. Crazy Legs of Rock Steady Crew explains the origin of the term - “the word b-boy originated from Kool Herc ... b-boys and b-girls - break boys, break girls”.
Although numerous b-boys have suggested that the term refers to the 'breaks' on a record, Kool Herc says that this is not the case - “b-boy – boys that break, it didn't come from breaks on the record, it comes from...
This man he 'broke', he went to a point, a breaking point...
We just used that exaggeration of that term to the dancing – the b-boys, break boys”.
The term quickly came to include any followers of hip hop, identifiable by attire, music listening preferences or lifestyle, but in recent years has reverted to its specific usage in connection with dance.

[ Ajouter un commentaire ] [ 2156 commentaires ]

# Posté le mardi 18 novembre 2008 18:00

Modifié le dimanche 15 novembre 2009 07:09

M e . M y s e l f . & . I _卡米耶

♣{ ๖ۣۜЌMYŠŤĭҜ™ }♣

‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗

La motivation est le fruit de la réussite, celle-ci est provoqué par la haine comme par l'amour ! Une fois tombé de très haut, petit, tu aprendras à te relever, à jeter un coup d'oeil vers l'avenir, décidera de ne pas vivre dans l'ombre...Tu voudras et tu réussiras !

‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗

_____________'_____________________________
__________________________'________________
__________________________'________________
__________________________'________________
____Ii___iI_____ ›› F a c e B o o k L____ii_________
__________________________'________________
____Ii__iii__i_____ ›› M u s i c ___Ii_____________
__________________________'________________
____I__iI_M_____ ›› P r o f i l I__'I__I___________
__________________________'________________
____Ii__:________ ›› B o o k ______M_i_'________
__________________________'________________
__________________________'________________
__________________________'________________
_____________________________'_____________

[ Ajouter un commentaire ] [ 363 commentaires ]

# Posté le dimanche 07 décembre 2008 11:03

Modifié le dimanche 15 novembre 2009 07:17

This is my game ❤

_____★ B-girl KAZ_라파엘

_____15 Y.O

_____ROUEN

_____KMYSTIK@HOTMAIL.COM

_____FACEBOOK : B-GIRL KAZ

_______"Triumph without peril brings no glory"
___________________PLAY ME ♪

________________________________

KAZ, of his true name Camille, 15 Y.o.
young b-girl of one year,
computer specialist ; Webdesigner.
Graff & Drawing are my life
Of composed character, like laughing and making laugh.

This is my game ❤
TO BE CONTINUED !

[ Ajouter un commentaire ] [ 496 commentaires ]

# Posté le mardi 18 novembre 2008 18:06

Modifié le dimanche 15 novembre 2009 08:05

★ F a v o u r i t e . B - b o y ©

_●_●__●_●_______________________________________________________________l'____●_●__●_●_
_●__________________________________________________________________l'_______________●_
_●_●_________‗‗‗‗‗‗‗___________________________________________________l'__________●_●_
_●_●______l_ _ _ _ _ _ ‗ ‗ ‗ ‗ ‗ ‗ ‗ _ _ _ _ _ _ _ _l ___ l_ _ _ _ _ _ ‗ ‗ ‗ ‗ ‗ ‗ ‗ _ _ _ _ _ _ _ _l_______●_●_
_●_●______l_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _l ___ l_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _l_______●_●_
_●_●______l_ _> Darkness ► Gambler Crew M'__l ___ l_ _> Baek ► Extreme Crew _ _ _ __ _l_______●_●_
_●_●______l_ _> Physicx ► Rivers Crew _ __i___ l ___ l_ _> Hong 10 ► Drifters Crew _ _ i_ _l_______●_●_
_●_●______l_ _> Bruce Lee ► Gambler Crew _ I _l ___ l_ _> Junior ► Wanted Posse_ _ _ _ _l_______●_●_
_●_●______l_ _> Lilou ► Pockemon Crew ‗ M' _ _l ___ l_ _> Cico ► Solo ‗ ‗'l_ _' _____ii__ _l_______●_●_
_●_●______l_ _> The end ► Gambler CrewIiIM'_ _l ___ l_ _> Marcio ► Legiteam Obstruxion Ml_______●_●_
_●_●______l_ _> Born ► Rivers ll ll' ‗ _ _ ____ _ _l ___ l_ _> Brahim ► Pockemon Crew ll i_'_l_______●_●_
_●_●______l_ _> K-rol ► Force ObscureIiIM'__:_ _l ___ l_ _> Ronnie ► Full Force & Super '--Ml_______●_●_
_●_●______l_ _ _ _ _ _ ‗ ‗ ‗ ‗ ‗ ‗ ‗ _ _ _ _ _ _ _ _l ___ l_ _ _ _ _ _ ‗ ‗ ‗ ‗ ‗ ‗ ‗ _ _ _ _ _ _ _ _l_______●_●_
_●_●_________‗‗‗‗‗‗‗___________________________________________________l'__________●_●_
_●_____________________________________________________________________l'____________●_
_●_●__●_●____________________________________________________________l'_______●_●__●_●_

[ Ajouter un commentaire ] [ 359 commentaires ]

# Posté le vendredi 21 novembre 2008 16:46

Modifié le vendredi 31 juillet 2009 14:55

★ Old School & New Style ★

♬ History of Breakdancing/Bboying ♬

Breakdancing seems so different from all other kinds of dancing that the first question people ask when they see it is: "Where did these kids learn to dance like that?" To many people, this dance seems to have come out of nowhere. But like everything else, Breakdance did come from somewhere, something and someone. In the case of Breakdancing, that someone is the great superstar, James Brown, and the something is the dance, the Good Foot.
In 1969, when James Brown was getting down with his big hit "Get on the Good Foot" the Hustle was the big dance style of the day. If you've ever seen James Brown live in concert or on TV, then you know he can really get down. And when he preformed his hit, he did the kind of dance you'd expect James Brown to do. High Energy. This almost acrobatic dance was appropriately enough known as the lot of kids around New York City.

By the time the Good Foot became the new dance style, the tradition of dance battle was well established. Dancers would gather at places like Harlem World on 116th Street in Harlem and Battle-dancewise. Battles are covered in more detail in the section on battles, challanges, and contests, but the important thing as fas as the history of Breakdancing is concerned is that Breakdancing was particularly well-suited for competition. And not only was the Good Foot well- suited for dance battles, it appealed to certain young men who were very athletic.

The Good Foot, which was soon to be called B-Boy and shortly after that Breakdancing, or Breaking, was very different from the Breaking we see today. In some ways it was simpler.
There were no Headspind. No Windmill. No Handglides or Backspins. It was what is now called old-style Breaking. Old-Style Breaking consisted only of floor work, or Floor Rock, and in a way it was more complex than modern Breaking. There may be some small variations on the Headspin and a Backspin, but basically, a Headspin is a head spin and a Backspin is a back spin. But Floor Rock can involve some extremely complicated leg moves, and it is done very fast. And it did not take long before where were a lot of Breakdancing battles happening.

Among those for whom old-style Breaking was especially popular were many of the youths and street gangs that roamed the South Bronx. And it was in those streets that Breakdancing really started. Often, the best Breakers in opposing gangs would battle dance wise instead of fighting. They would battle over turf. Or because someone stepped on someone else's shoes. They might battle prove that their gang was better than the other gang. Sometimes they would make a contract that the loser would not go around to the winner's neighborhood anymore. Sometimes they battled just to gain each other's respect. Unfortunately, these Breaking battles did not always stop fight. In fact, they often would cause a fight, since dancers would sometimes get physical when they couldn't win dance wise. No one likes to lose. But today Breaking battles have, to a large extent, replaced fighting in the Bronx.

In this way Breakdancing crews-groups of dancers who practice and perform together-were formed. And soon formal crews organized, who not only practiced and preformed together, but who also developed their own dance routines. Some of these crews became very dedicated to their dancing, and since they had nothing better to do, would spend hours a day practicing, developing more and more complex moves, improving their form, and increasing their speed. And then Afrika Bambaataa came along. Bambaataa is the legendary grand master D.J. who is the individual most responsible for the successful growth of Breakdancing. He is a record producer and member of the Soul Sonic Force, who's "Looking For The Perfect Beat" was chosen as the No.4 best single in the 1983 Jazz and pop Critics' Poll. Afrika Bambaataa is also the leader of the Zulu Nation in the Bronx.

In 1969, Afrika Bambaataa saw Breakdancing as more than just dancing. He saw it as a way to achieve something. He saw the potential of Breakdancing, and encouraged the dancers to keep at it. To work hard, and to believe that if they stuck with it, something good would come of it. Bambaataa then started one of the first Breakdance crews, the Zulu Kings. The Zulu Kings won a lot of battles and talent shows and preformed in various clubs in New York. At the same time they won a lot of adherents for the Zulu Nation.

Old-style Breaking remained popular until about 1977, when the Freak took over, based on the hit record "Freak Out" by the Shieks. Then around 1979 and early 1980 a new Breakdance crew was organized-Rock Steady Crew. Even though Rock Steady Crew was especially talented, a lot of people put them down being old-fashioned. But Bambataa encouraged them. He told them that if they stuck with it, something good would happen. He took them on, and soon they were performing at the Mudd Club, the Ritz, and other Punk rock clubs around New York. When Rock Steady performed for Malcom McLaren and Bow Wow Wow at the Ritz people started taking them seriously. Breakdancing Was In Again.

But the new-style Breaking was different from the old. Rock Steady added a lot of acrobatic moves. Breaking now included not only Floor Rock but Headspins, Backspins, Handglides, and Windmills. In 1981, Charles Ahearn made his Hip-Hop movie, Wild Style, a raw vision of rap singing, graffiti, scratching, and Breakdancing in the Bronx. Ahearn called on Rock Steady to do the Breaking and Rock Steady became the preeminent Breakdance crew and new-style Breaking became even more popular. When the spring of 1982 rolled around the Roxy was a well-established New York roller-skating rink. But the popularity of roller skating quickly began to fade, and in June of '82, Pat Fuji turned the Roxy into a dance club on Thursday, Friday, and Saturday night. The Roxy quickly became the Hip Hop center. It was here that rappers, D.J.'s, and Breakdancers would perform and hang out.

If you wanted to discover a Breakdancer for your show or video, you would come to the Roxy. Or if you just wanted to watch or learn some new moves, you would come to the Roxy. And the Roxy started to sponsor Breakdance contests, which would help the winners get more recognition. In June, 1983, Pat Fuji hired professional Jazz dancer Rosanne Hoare to run the Street Arts Consortium, whish was a house Breakdancing, rapping, and graffiti art. Rosy was going to officially establish a home for Hip Hop Culture. While the Street Art Consorium never really happened as envisioned, Rosy did provide a home for Breakdancers. She not only provided a place where they could feel at home, but she worked with them as a choreographer, helping to extend their dance possibilities. She also helped many dancer find commercial and performing dance work. Most importantly, Rosy was-and is-always there as a friend whom they can count on. She herself has taken up Breakdancing.

[ Ajouter un commentaire ] [ 297 commentaires ]

# Posté le mardi 18 novembre 2008 18:39

Modifié le dimanche 15 novembre 2009 08:00